{"id":860,"date":"2023-11-16T15:50:24","date_gmt":"2023-11-16T14:50:24","guid":{"rendered":"https:\/\/renmus.eu\/?page_id=860"},"modified":"2024-01-19T13:13:43","modified_gmt":"2024-01-19T12:13:43","slug":"conference","status":"publish","type":"page","link":"https:\/\/renmus.eu\/index.php\/conference\/","title":{"rendered":"Conference"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" class=\"wp-block-cover__image-background wp-image-413\" alt=\"\" src=\"https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/instrumenty_p4-01-01-scaled.jpg\" data-object-fit=\"cover\" srcset=\"https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/instrumenty_p4-01-01-scaled.jpg 2560w, https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/instrumenty_p4-01-01-300x225.jpg 300w, https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/instrumenty_p4-01-01-1024x768.jpg 1024w, https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/instrumenty_p4-01-01-768x576.jpg 768w, https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/instrumenty_p4-01-01-1536x1152.jpg 1536w, https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/instrumenty_p4-01-01-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<section class=\"wp-block-qi-blocks-columns qodef-gutenberg-section qodef--template qodef-block-d1dfa5d7 qodef-col-num--1 qodef-col-layout--100 qodef-content--boxed\"><div class=\"qodef-section-background-overlay\"><\/div><div class=\"qodef-gutenberg-row\">\n<div class=\"wp-block-qi-blocks-column qodef-gutenberg-column qodef-block-9cc7771d\"><div class=\"qodef-gutenberg-column-inner\">\n<section class=\"wp-block-qi-blocks-columns qodef-gutenberg-section qodef--template qodef-block-656403de qodef-col-num--3 qodef-col-layout--33 qodef-content--boxed\"><div class=\"qodef-section-background-overlay\"><\/div><div class=\"qodef-gutenberg-row\">\n<div class=\"wp-block-qi-blocks-column qodef-gutenberg-column qodef-block-90e26380\"><div class=\"qodef-gutenberg-column-inner\"><\/div><\/div>\n\n\n\n<div class=\"wp-block-qi-blocks-column qodef-gutenberg-column qodef-block-63876f57\"><div class=\"qodef-gutenberg-column-inner\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"183\" src=\"https:\/\/renmus.eu\/wp-content\/uploads\/2023\/03\/Asset-3-e1681506075202.png\" alt=\"\" class=\"wp-image-90\" style=\"width:285px;height:auto\" srcset=\"https:\/\/renmus.eu\/wp-content\/uploads\/2023\/03\/Asset-3-e1681506075202.png 634w, https:\/\/renmus.eu\/wp-content\/uploads\/2023\/03\/Asset-3-e1681506075202-300x87.png 300w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-qi-blocks-column qodef-gutenberg-column qodef-block-9d70e3a7\"><div class=\"qodef-gutenberg-column-inner\"><\/div><\/div>\n<\/div><\/section>\n\n\n\n<h2 class=\"wp-block-heading alignfull has-text-align-center has-ast-global-color-1-color has-text-color has-link-color wp-elements-f4d375e028b4c48d7f7a1345218944ff\" style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--40)\">Call for Papers<\/h2>\n\n\n\n<p class=\"has-text-align-center\" style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>International Online Conference on Renewable Music<br>15-17 October 2024<br><\/strong><\/p>\n\n\n\n<p>Polish Composers\u2019 Union (Poland)<br>in partnership with<br>Berg Orchestra (Czechia)<br>Waves Bratislava (Slovakia)<br>UMZE Association (Hungary)<\/p>\n\n\n\n<p>invite composers, musicians, musicologists, music theorists, representatives of musical organisations and institutions, environmentalists, ecologists and other experts interested in the subject to participate in an international online scientific conference devoted to the idea of renewability in music.<\/p>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>Renewable Music<\/strong><\/p>\n\n\n\n<p>The term \u2018renewable music\u2019 was coined in reference to \u2018renewable resources\u2019, aiming at focusing attention on global sustainability crisis and encouraging dialogue on this subject in the contemporary music community. One can state that all music is renewable at its core, as music material is inexhaustible. Each performance brings a unique artists\u2019 interpretation and thus renews the listener\u2019s perception of a piece. Going beyond this definition requires considering music\u2019s renewability on the level of production, performance and consumption. This conference intends to open international dialog on this subject and delve deeper in the search for different meanings of this multidimensional metaphor.<\/p>\n\n\n\n<p style=\"padding-bottom:var(--wp--preset--spacing--40)\">The \u2019Renewable Music\u2019 project partners feel that there is a huge need for music and culture in general to renew themselves after the period of stagnation due to COVID-19, and there are important changes to be introduced if we want to shape more sustainable future in the music sector. In the summer of 2024 four newly commissioned pieces of music inspired by the concept of renewability in music will premiere at open-air concerts in the Visegrad Group countries. What issues stand behind this concept for the composers participating in the project?<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>renewal of human\u2019s relationship to nature through music,<\/li>\n\n\n\n<li>renewed engagement of audiences through music that touches current issues such as sustainable development,<\/li>\n\n\n\n<li>renewal of tradition through reinterpretation and reinvention of its elements,<\/li>\n\n\n\n<li>renewal of musical form by challenging the boundaries of conventional forms,<\/li>\n\n\n\n<li>reuse of extra-musical elements which brings new associations,<\/li>\n\n\n\n<li>recontextualization of music in different spaces and environments, including open-air concerts, site-specific performances, immersive installations etc.,<\/li>\n\n\n\n<li>reassessment of the value and potential of everyday objects as instruments, including creation of new instruments from recycled materials.<\/li>\n<\/ul>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>Thematic Scope of the Conference<\/strong><\/p>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">Day 1: Theory and Aesthetics<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>intersections of music, sound and nature<\/li>\n\n\n\n<li>acoustic ecology<\/li>\n\n\n\n<li>soundscape studies (R. Murray Schafer, his successors and opponents)<\/li>\n\n\n\n<li>eco-musicology<\/li>\n\n\n\n<li>humanistic geography<\/li>\n<\/ul>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\">Day 2: Composers\u2019 Perspectives<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>incorporating nature into music<\/li>\n\n\n\n<li>environmental themes in contemporary works<\/li>\n\n\n\n<li>musical language and extended techniques<\/li>\n\n\n\n<li>extra-musical meanings<\/li>\n\n\n\n<li>recycling in music<\/li>\n<\/ul>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\">Day 3: Social Aspects<\/p>\n\n\n\n<ul class=\"wp-block-list\" style=\"padding-bottom:var(--wp--preset--spacing--30)\">\n<li>ecological responsibility of contemporary music<\/li>\n\n\n\n<li>eco-conscious solutions in music-making and consuming<\/li>\n\n\n\n<li>music education and sustainable development<\/li>\n\n\n\n<li>sustainable support for contemporary music<\/li>\n\n\n\n<li>green transition of the music industry<\/li>\n<\/ul>\n\n\n\n<p>The conference language is English.<\/p>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>Submission Process<\/strong><\/p>\n\n\n\n<p>Please submit abstracts (no longer than 250 words) of your proposed contribution, together with a short biographical note via the <a href=\"https:\/\/renmus.eu\/index.php\/abstract-submission-form\/\" target=\"_blank\" rel=\"noopener\" title=\"Submission Form\">Submission Form<\/a>. The total duration of your&nbsp;presentation&nbsp;should not exceed&nbsp;30 minutes (about 20 minutes for your talk and about 10 minutes for Q&amp;A).<\/p>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>Fully Online Conference<\/strong><\/p>\n\n\n\n<p>The conference will be held fully online. Good accessibility (videoconference, recordings, closed-captioning) is foreseen, recognising the impossibility of a full match to the hours of the working day worldwide.<\/p>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>Conference fee and registration<\/strong><\/p>\n\n\n\n<p>No fees will be charged for the online conference. You will need to register to access the conference. Registration will be open on 1 October 2024 on the project website (<a href=\"http:\/\/www.renmus.eu\">www.renmus.eu<\/a>).<\/p>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>Proceedings<\/strong><\/p>\n\n\n\n<p>Conference proceedings will be published online in open access.<\/p>\n\n\n\n<p>Selected papers will be published in volume 21 of \u2018<a href=\"https:\/\/sciendo.com\/journal\/MUSO\">Musicology Today\u2019<\/a>, a double-blind peer reviewed journal published since 2004 by the Institute of Musicology, University of Warsaw and the Polish Composers\u2019 Union.<\/p>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>Important Dates<\/strong><\/p>\n\n\n\n<p>Abstract submission deadline: 31 January 2024<br>Abstract acceptance notification: no later than 1 March 2024<br>Conference registration: from 1 October 2024<br>Conference dates: 15-17 October 2024<\/p>\n\n\n\n<p style=\"padding-top:var(--wp--preset--spacing--40);padding-bottom:var(--wp--preset--spacing--40)\"><strong>Contact<\/strong><\/p>\n\n\n\n<p>Should you have any questions regarding the call, please do not hesitate to contact us at <a href=\"mailto:office@renmus.eu\" target=\"_blank\" rel=\"noopener\" title=\"\">office@renmus.eu<\/a> for any additional information and support.<\/p>\n\n\n\n<p style=\"padding-bottom:var(--wp--preset--spacing--60)\">You can find out more about the project at: <a href=\"http:\/\/www.renmus.eu\">www.renmus.eu<\/a><\/p>\n\n\n\n<section class=\"wp-block-qi-blocks-columns qodef-gutenberg-section qodef--template qodef-block-55c0b1dd qodef-col-num--3 qodef-col-layout--33 qodef-content--boxed\"><div class=\"qodef-section-background-overlay\"><\/div><div class=\"qodef-gutenberg-row\">\n<div class=\"wp-block-qi-blocks-column qodef-gutenberg-column qodef-block-be76b960\"><div class=\"qodef-gutenberg-column-inner\"><\/div><\/div>\n\n\n\n<div class=\"wp-block-qi-blocks-column qodef-gutenberg-column qodef-block-2665aea3\"><div class=\"qodef-gutenberg-column-inner\">\n<figure class=\"wp-block-image alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"634\" height=\"183\" src=\"https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/Asset-3-e1681506117634.png\" alt=\"\" class=\"wp-image-462\" style=\"width:279px;height:auto\" srcset=\"https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/Asset-3-e1681506117634.png 634w, https:\/\/renmus.eu\/wp-content\/uploads\/2023\/04\/Asset-3-e1681506117634-300x87.png 300w\" sizes=\"auto, (max-width: 634px) 100vw, 634px\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-qi-blocks-column qodef-gutenberg-column qodef-block-b307c0a7\"><div class=\"qodef-gutenberg-column-inner\"><\/div><\/div>\n<\/div><\/section>\n<\/div><\/div>\n<\/div><\/section>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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