{"id":1625,"date":"2025-12-01T13:41:00","date_gmt":"2025-12-01T12:41:00","guid":{"rendered":"https:\/\/renmus.eu\/?p=1625"},"modified":"2026-03-31T10:09:05","modified_gmt":"2026-03-31T08:09:05","slug":"read-renmus-post-conference-articles","status":"publish","type":"post","link":"https:\/\/renmus.eu\/index.php\/2025\/12\/01\/read-renmus-post-conference-articles\/","title":{"rendered":"Read RenMus Post-Conference Articles"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

The 22nd issue of Musicology Today<\/em>, titled \u201cMusic, Nature, and Sound: Musical Ecology\u201d, is now available online in open access. This volume brings together a wide range of perspectives on how music engages with the natural world, ecological thought, and sustainability in both historical and contemporary contexts.<\/strong><\/p>\n\n\n\n

Drawing on contributions from scholars and artists working across musicology, sound studies, composition, and cultural theory, the issue explores music as a medium that not only reflects ecological issues but also helps shape our understanding of them. Many of the articles stem from the International Online Conference on Renewable Music<\/em>, held in October 2024 as part of the Creative Europe-funded project Renewable Music. V4 Composers for Sustainability<\/em>, led by the Polish Composers\u2019 Union.<\/p>\n\n\n\n

Topics discussed in the volume include ecological approaches to composition, soundscape studies, the cultural implications of AI-generated music, the concept of \u201ceco-music,\u201d historical perspectives on animal musicality, and the sustainability of creative work in contemporary musical life. Together, these contributions offer a timely reflection on how music participates in broader ecological and social transformations.<\/p>\n\n\n\n

Musicology Today
<\/strong>Volume 22 (2025): Issue 1 (December 2025)<\/strong><\/a>
Music, Nature, and Sound: Musical Ecology<\/strong><\/p>\n\n\n\n

    \n
  1. Agnieszka Cie\u015blak-Krupa
    Music, Nature, and Sound: Musical Ecology<\/a><\/li>\n\n\n\n
  2. Makis Solomos
    Music, Ecologies and Degrowth. A Few Paths to Explore<\/a><\/li>\n\n\n\n
  3. Marcin Strzelecki
    Generating  Music, AI and Energy<\/a><\/li>\n\n\n\n
  4. Ma\u0142gorzata Heinrich
    Hildegard Westerkamp\u2019s Beneath the Forest Floor and Graphic Analysis. Regrowing the Relationsip Between Human, Nature, Society, and Self through Soundscape Composition<\/a><\/li>\n\n\n\n
  5. Katarzyna Bartos
    Depicting Japanese Soundscapes in Gra\u017cyna Pstroko\u0144ska-Nawratil\u2019s \u2018S\u0142owik i kamie\u0144\u2019<\/a><\/li>\n\n\n\n
  6. Jan Andreas Wessel
    Animals in Early Modern Histories of Music<\/a><\/li>\n\n\n\n
  7. O\u013ega Smetanov\u00e1 and Roman D\u017eambazovi\u010d
    Sustaining Creative Work: Satisfaction of Classical Music Composers with Institutional Support in Slovakia<\/a><\/li>\n<\/ol>\n\n\n\n

    The publication has been co-financed by the Minister of Culture and National Heritage from the Culture Promotion Fund \u2013 a special-purpose state fund.<\/em><\/p>\n\n\n\n

    \"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

    The 22nd issue of Musicology Today, titled \u201cMusic, Nature, and Sound: Musical Ecology\u201d, is now available online in open access.<\/p>\n","protected":false},"author":2,"featured_media":1631,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[65,63,62,61,5,27,51,64],"class_list":["post-1625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bez-kategorii","tag-articles","tag-musicalecology","tag-musicology","tag-musicologytoday","tag-renewable-music","tag-renmus","tag-renmusconference","tag-research"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/posts\/1625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/comments?post=1625"}],"version-history":[{"count":3,"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/posts\/1625\/revisions"}],"predecessor-version":[{"id":1632,"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/posts\/1625\/revisions\/1632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/media\/1631"}],"wp:attachment":[{"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/media?parent=1625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/categories?post=1625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/renmus.eu\/index.php\/wp-json\/wp\/v2\/tags?post=1625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}